Current Exhibition

LA TAUROMAQUIA: CARNICERO, GOYA, AND PICASSO
April 19 - July 28, 2013

FEATURED PROGRAMS


RSVP to Renae Dinerman at 215-898-3617 or renaedin@upenn.edu for all events.

A series of related programs for La Tauromaquia: Carnicero, Goya, and Picasso will be offered this spring/ summer.
  • Thursday, April 4 at 6pm
    Reception and Presentation
    An Evening with Adele Chatfield-Taylor, Chair of the Friends of Arthur Ross Gallery and President and CEO of the American Academy in Rome

  • Friday, April 19 from 1pm – 4pm
    Symposium on La Tauromaquia: Carnicerco, Goya, and Picasso

    SPEAKERS:

    Janis A. Tomlinson, Director of University Museums, University of Delaware
    “Goya at 70: La Tauromaquia in Context”

    Gwendolyn DuBois Shaw, Associate Professor, Department of the History of Art, University of Pennsylvania
    “The Ambassador's Picador: Walter Annenberg, Pablo Picasso, and Ernest Hemingway”

    Jock Reynolds, Henry J. Heinz II Director, Yale University Art Gallery
    "Sharing Art Generously Among College and University Art Museums”

    Please note, this event takes place in:
    Claudia Cohen Hall Auditorium G-7
    249 S. 36th Street

    $20 general admission; Free Admission for Penn Students with ID.
  • Monday, April 22 at 6:30pm
    Address by Ford Bell, President of the American Alliance of Museums
    "Museums and Communities in the 21st Century"

    Please note, this event takes place in:
    The Class of 1978 Pavilion
    Special Collections Center
    Van Pelt Library, 6th floor
    3420 Walnut Street


About the Exhibition:

In the 18th century, the bullfight was both a sport and an entertainment in Spain, democratically beloved from royalty to the lower classes. A skilled matador often became a famed national hero, and his fighting in the corrida was considered a fully developed art form. As Ernest Hemingway has written: “Bullfighting is the only art in which the artist is in danger of death and in which the degree of brilliance in the performance is left to the fighter’s honor.”

La Tauromaquia: Carnicero, Goya, and Picasso is organized by the Arthur Ross Gallery at the University of Pennsylvania and Yale University Art Gallery, The Arthur Ross Collection.

Support for the exhibition is provided by Mrs. Arthur Ross; Mr. George Gillespie; Bill and Kathie Hohns; Jules and Connie Kay; Miss Gail Lloyd; Mr. and Mrs. Bruce Mainwaring; the Friends of the Arthur Ross Gallery; The Patron’s Circle of the Arthur Ross Gallery; the Arthur Ross Exhibition Fund; the Philadelphia Cultural Fund; and the Pennsylvania Council on the Arts.

In Memory of Arthur Ross and in Honor of Mrs. Arthur Ross.




Title Plate from Colección de las principals suertes de una corrida de toros
(Collection of the main actions in a bullfight), 1790

Etching, 10 1/16 x 15 1/2 inches



El famoso Martincho, poniendo banderillas al quiebro
(The famous Martincho places the banderillas playing the bull with the movement of his body)

from La Tauromaquia, 1816 (first edition)
Etching, drypoint, and aquatint, 9 13/16 x 13 3/4 inches
Temeridad de Martincho en la plaza de Zaragoza
(The daring of Martincho in the ring at Saragossa)

from La Tauromaquia, 1816 (first edition)
Etching, drypoint, and aquatint, 9 5/8 x 14 inches

Ligereza y atrevimiento de Juanito Apiñani en la de Madrid
(The agility and audacity of Juanito Apinani in [the ring] at Madrid)

from La Tauromaquia, 1816 (first edition)
Etching and aquatint, 9 5/8 x 14 inches

Suerte de Varas
(Opening stage of the Bullfight with Playing of the Capes)

from the series La Tauromaquia, 1957
Aquatint, 7 13/16 x 11 3/4 inches

Clavando un Par de Banderillas
(Nailing in a Pair of Banderillas)

from the series La Tauromaquia, 1957
Aquatint, 7 13/16 x 11 3/4 inches

Muerte del Toro
(Death of the Bull)

from the series La Tauromaquia, 1957
Aquatint, 7 13/16 x 11 3/4 inches