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Angel Alley. Designed and painted by Lily Yeh; mosaics by James Maxton.


Lily Yeh's Art of Transformation, continued...

    “We talked not just about the standard angels in church,” she adds, “but angel figures from all cultures, Assyrian, Mesopotamian and Buddhist. Once we excited their imaginations they began creating their own angels. Before that, the children were afraid to speak and learn because their creativity was all bottled up. But in talking about their personal angels they came up with all these wonderful lines. Before this, the children had trouble writing, but we told them to just speak and then we recorded their talk, transcribed it and gave it back to them. Pretty soon it becomes much easier for them to write and read because it’s their own words.”
    Dr. Michael Kolakowski, principal of the Hartranft School, says both the children and teachers were impressed. “You can measure the difference The Village has made,” he explains, “by the fact that year after year, for seven years now, the kids always ask when Miss Lily will be back.” More generally, Kolakowski observes, The Village has given the area a dramatic physical and emotional makeover. “When all you’ve known is blight you get used to seeing only blight. Lily teaches the children that you don’t have to only see blight. She’s taken a whole city block between 10th and 11th on Cumberland, where before there was only decay, and turned it into something not only beautiful but [which] we now use as an outdoor classroom.”
    In addition to educational partnerships, The Village also has launched initiatives in nutrition and preventive health care, neighborhood-based craft industries and urban gardening. Over the next few years Yeh also plans to establish a “Village on the Move” program in which ongoing workshops will be held in tents set up at five locations around North Philadelphia.
    Though all observers seem to agree The Village has made a difference in the physical look and spirit of the neighborhood, skeptics do question how much such inspirational projects can accomplish without more fundamental economic changes. Yeh acknowledges that The Village alone can’t solve the deep economic and political problems of the area. “What we can do,” she insists, “is change perception, and through that change the condition of hopelessness which has prevailed.”
    Another key unanswered question is whether The Village, as the singular vision of a charismatic founder, can be sustained when she’s no longer around. “I’m still as excited about the work we’re doing as I was when I arrived here 14 years ago, and there’s so much more to do,” says Yeh. At the same time, she adds, “I have other places to go as well,” referring in particular to Korogocho, a village in Kenya where she has initiated a pilot project modeled on her work in Philadelphia.
    Though she intends to stay closely associated with The Village, Yeh is considering stepping aside as executive director “in about three years or so” to make way for a new generation of organizers whom she has trained. “They’re motivated, sophisticated people who are bringing in a serious professionalism and talents for order and efficiency I never had,” she says. With them, Yeh looks forward to expanding The Village’s range and scope, as well as putting it on more solid financial footing. In order to fulfill that goal she is, as she puts it, “trying to learn some new languages, new ways of defining and achieving our goals.”
    One new means is high technology, specifically the World Wide Web, through which the possibility exists for the first time to link kindred grass-roots efforts around the world, allowing them to find ways of joining forces. Yeh is also trying to learn new ways of economically maintaining The Village without relying on grants, by developing self-sustaining non-profit and for-profit community-based businesses, an approach known as “social entrepreneurialism.”
    She is currently seeking the advice of sympathetic, socially responsible corporate leaders such as Con Kenney W’80, director of re-engineering at Fannie Mae, on how to adapt some of the planning tools, strategies and intellectual disciplines of the corporate sector to advance the Village’s cause. Successful grass-roots projects like The Village should be seen as crucial “incubators of social innovation,” Kenney says. “There’s an emerging consensus that technocratic interventions from afar have failed to really impact social problems in a deep and abiding way.”
    “Without planning it,” Yeh believes, “we’ve actually been doing, in the shadows, what governments and corporations want to see done. They need skilled people and strong, stable communities, but they don’t know how to bring that about.”
    Soon after his election, the transition team of Philadelphia’s new mayor, John Street, visited The Village to study its approaches to neighborhood revitalization. Mayor Street himself professes to be a fan, saying that Yeh’s work “clearly demonstrates the power of community development,” and adding, “I think Lily is one of our city’s great treasures.”
    Intellectual and political capital will be important in making the kinds of innovation unleashed at The Village thrive, but even more important in the long run, Yeh concludes, will be a resource which, though theoretically unlimited, is often hard to come by: humility.
    “Professionals need to go out to the field, not with the attitude that they’re going to come in and take things over because they know more. They need to learn the art of listening. Community speaks eloquently if you give it a chance, and if you can do that, magic can happen.”

Phil Leggiere C’79 is a freelance writer based in Hoboken, N.J. He last wrote for the Gazette on Internet entrepreneur Elon Musk C/W’95.

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