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EDITOR’S PICK In focus
Whether he tackled controversial subjects like sex and violence (“A
Clockwork
Orange,” 1971), injected stunning visual effects and innovative music into
the sci-fi genre (“2001: A Space Odyssey,” 1968, left) or toyed
with the film noir narrative structure (“The Killing,” 1956), director
Stanley Kubrick’s style was always recognizable. It’s an amazing
feat, considering that the notoriously detail-obsessed—and later reclusive—director
had only 14 fiction films to his credit from 1953 until his death in 1999. You
can see how Kubrick’s persistence and vision paid off in a series of his
films at International House from June 16 through 20. The Directors in Focus
series begins with “The Killing,” Kubrick’s compelling film
about a group of thieves who attempt to pull off a daring racetrack heist. The
series only gets better from there.
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