A new exhibition from the Smithsonian Institution Traveling Exhibition Service (SITES) will feature rare paintings by William H. Johnson, from the collection of the James E. Lewis Museum at Morgan State University. An essential figure in modern American art, William H. Johnson (1901-1970) was a virtuoso skilled in various media and techniques, and produced thousands of works over a career that spanned decades, continents and genres.
“William H. Johnson: An American Modern” will be on view at the Arthur Ross Gallery, University of Pennsylvania from January 18 – March 23, 2014 . It will then continue on a 10-city tour through 2014. The exhibition is made possible through the generous support of the National Endowment for the Arts, the Henry Luce Foundation and Morgan State University Foundation, Inc.
The pivotal stages of Johnson’s career as a modernist painter are assembled in this group of rarely seen paintings. Every step of his artistic development is conveyed—from his post-impressionist and expressionist works of the 1920s, to vibrant vernacular paintings from the end of his career in the 1940s, in which Johnson articulated his distinctive, unforgettable vision as an American modern artist.
The paintings boast a remarkable history. In 1956 the Harmon Foundation, a nonprofit that helped foster awareness of African art from 1922 until its demise in 1967, took ownership of Johnson’s own collection of art—saving it all from being destroyed. When the foundation had to shut its doors, they donated more than 1,000 works to the Smithsonian’s National Collections of Fine Arts (now the Smithsonian American Art Museum). The terms of the agreement called for the Smithsonian to donate artworks to several black colleges and universities, including Morgan State University. The founding chair of Morgan’s art department, James E. Lewis, was first to carefully select these works for his museum’s permanent collection.
The exhibition is complemented by an illustrated companion book William H. Johnson: An American Modern (University of Washington Press, 2011) with essays by Richard J. Powell, Leslie King Hammond and others. The book features some of the world’s premier scholars of Johnson and African American art history re-examining the artist and presenting him in new, fresh ways.
All events are free and open to the public, unless otherwise noted.
Friday, January 17, 4:00 p.m. Gallery Tour, Dejáy B. Duckett Associate Director and Associate Curator, Arthur Ross Gallery
Friday, January 17, 5:30 p.m. Opening Reception, jazz performance and the world premier of the William H. Johnson Suite composed and performed by Dr. Guthrie Ramsey and MusiQology. Co-sponsored by the Center for Africana Studies.
Thursday, January 30, 5:30 p.m. Dr. Mark Anthony Neal, Duke University and Dr. Guthrie P. Ramsey, University of Pennsylvania celebrate their new books Looking for Leroy: Illegible Black Masculinities and The Amazing Bud Powell: Black Genius, Jazz History and The Challenge of Bebop. They will be in conversation with eminent cultural critic Greg Tate.
Wednesday, February 12, 5:30 p.m. Free concert by Mimi Stillman and the Dolce Suono Ensemble.
Thursday, February 13, 6:30-9:30 p.m. Valentine’s Throwback Thursday: An evening of food, drink, jazz, and swing dancing. Exclusively for Penn students.
Friday, March 21, 2014, 5:30 p.m. Lecture, “William H. Johnson: Modernist Master of New World Realities." Dr. Leslie King-Hammond, Graduate Dean Emerita & Founding Director, Center for Race and Culture Maryland Institute College of Art.
Additional support for the exhibition and related programming is provided by the Arthur Ross Exhibition Fund, Mrs. Arthur Ross, Mr. George Gillespie, the Patron’s Circle of the Arthur Ross Gallery, the Center for Africana Studies, University of Pennsylvania, the Dolfinger-McMahon Foundation, the Philadelphia Cultural Fund, and the Pennsylvania Council on the Arts.
HOURS: Weekdays: 10:00 am - 5:00 pm | Weekends: 12:00 pm - 5:00 pm. Closed Mondays.