344 pages | 6 1/8 x 9 1/4 | 14 color, 10 b/w illus.
Cloth 2006 | ISBN 978-0-8122-3900-3 | $59.95s | £39.00 | Add to cart
Ebook 2011 | ISBN 978-0-8122-0537-4 | $59.95s | £39.00 | About | Add to cart
A volume in the Middle Ages Series
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"This highly informative and well written book is one that anyone concerned with material culture in Italy from any period will want to read."—Renaissance Quarterly
"Gilding the Market effectively links the material and cultural, showing that fashionable clothing is not simply a matter of visual discourse and self-representation but a primary item of exchange."—Journal of Interdisciplinary HistoryIn the fourteenth century, garish ornaments, bright colors, gilt, and military effects helped usher in the age of fashion in Italy. Over a short span of years important matters began to turn on the cut of a sleeve. Fashion influenced consumption and provided a stimulus that drove demand for goods and turned wealthy townspeople into enthusiastic consumers. Making wise decisions about the alarmingly expensive goods that composed a fashionable wardrobe became a matter of pressing concern, especially when the market caught on and became awash in cheaper editions of luxury wares.
"This wide-ranging book on the late medieval marketplace for luxury goods by a historian of enormous erudition and experience brings a lifetime of research to bear on the world of luxury consumption and . . . the advent of 'fashion.'"—American Historical Review
"An ambitious book that leads . . . into one of the most complex issues in the study of late medieval and early Renaissance Italy: the consumerist growth of a strong taste for and purchase, by those wealthy enough, of fashionable clothes and artifacts."—Speculum
Focusing on the luxury trade in fashionable wear and accessories in Venice, Florence, and other towns in Italy, Gilding the Market investigates a major shift in patterns of consumption at the height of medieval prosperity, which, more remarkably, continued through the subsequent era of plague, return of plague, and increased warfare. A fine sensitivity to the demands of "le pompe," that is, the public display of private wealth, infected town life. The quest for luxuries affected markets by enlarging exchange activity and encouraging retail trades. As both consumers and tradesmen, local goldsmiths, long-distance traders, bankers, and money changers played important roles in creating this new age of fashion.
In response to a greater public display of luxury goods, civic sumptuary laws were written to curb spending and extreme fashion, but these were aimed at women, youth, and children, leaving townsmen largely unrestricted in their consumption. With erudition, grace, and an evocative selection of illustrations, some reproduced in full color, Susan Mosher Stuard explores the arrival of fashion in European history.
Susan Mosher Stuard is Professor of History Emeritus at Haverford College. She is editor of Women in Medieval Society and Women in Medieval History and Historiography and author of A State of Deference: Ragusa/Dubrovnik in the Medieval Centuries, all published by the University of Pennsylvania Press.