Tropic of Venice
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Tropic of Venice

Margaret Doody

374 pages | 6 1/8 x 9 1/4 | 13 color, 26 b/w illus.
Cloth 2007 | ISBN 978-0-8122-3984-3 | $45.00s | £29.50 | Add to cart
A volume in the Personal Takes series

"A brilliant survey of the city."—John Julius Norwich, Condé Nast Traveler

"A challenging and information-packed guide to the city. Some lovers of La Serenissima may often find themselves at odds with the author, but she is always a provocative companion."—Times Literary Supplement

"A wonderful mine of information for anyone with an interest in Venice . . . . Highly recommended."—Library Journal

"To present the ever-beguiling Venice anew calls for knowledge, perception, and imaginative interpretation: John Ruskin, Henry James, James, Morris, and John Julius Norwich provide stiff competition. But Margaret Doody, an admired and gifted critic, traveler, and novelist, possesses all needed strengths and has written a splendid book. . . . A book to savor."—ForeWord

Named one of the "Big Ten Outstanding Books from University Presses for 2006" by ForeWord magazine

For Margaret Doody, Venice, poised between East and West, earth and sea, sacred and profane, occupies a place only its own. Appearances confound. Renaissance ladies achieved their blond beauty by crimping and dyeing their hair in urine. The richly ornamented facades of its buildings mask lighter structures based on wood pilings ultimately floating on clay and water. Marble is intimate with mud. In Doody's Venice, the holy is never far from the sensual, the earthy and carnal. Though the city's patron is one of the four Evangelists, enshrined in the glorious basilica that bears his name, she reminds us that according to legend the body of Saint Mark was transported to Venice hidden in a mound of pork.

With a novelist's eye for quirky anecdote and rich detail, with a connoisseur's eye for the secrets hidden in the cut of a sleeve or the corner of a painting, Doody summons the Venice of Carpaccio, Titian, and Canaletto, of Goldoni and Casanova. She draws on comments from the myriad travelers, contented or grumbling, from the Middle Ages to the present, men and women who have by turns been seduced and disturbed by the city. If she is hard-pressed to find a single golden age in Venetian history, she has no difficulty in locating the city's low point in the tragic nineteenth century. When the once proudly independent republic fell to a foreign power, its joy largely ceased, and it became the melancholy and somewhat sinister place evoked in the writings of Byron, George Sand, Gautier, Dickens, and others. Venice as death's city persists into the twentieth century in the works of Henry James and Thomas Mann. Only in the twenty-first century, she suggests, might we escape that dark nineteenth-century vision of a city once associated with glowing color and joyful music.

Bride of the Adriatic, a city of golden light and shimmering reflection rising out of seaweed and slime, Venice has long held travelers and dreamers, rogues, painters, and writers in its sway. Why are we so drawn to the place? What would be lost were Venice to cease to exist? In Tropic of Venice Doody explores the multiple ways in which this is a perturbingly exciting and unique city—and a place that simultaneously unsettles and reveals many of our most deeply rooted cultural values.

Critic, novelist, and traveler Margaret Doody is author of The True Story of the Novel and of the Oxford novel The Alchemists as well as of the internationally acclaimed series of mystery novels that began with Aristotle Detective. She is John and Barbara Glynn Family Professor of Literature at the University of Notre Dame.

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