Beyond the Architect's Eye
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Beyond the Architect's Eye
Photographs and the American Built Environment

Mary N. Woods

368 pages | 7 x 10 | 150 duotone, 21 color illus.
Cloth 2009 | ISBN 978-0-8122-4108-2 | $55.00s | £36.00 | Add to cart
Paper 2013 | ISBN 978-0-8122-2309-5 | $29.95s | £19.50 | Add to cart
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"A ground-breaking study, handsomely produced and lavishly illustrated."—Journal of the Society of Architectual Historians

"The main contribution of this book lies in the author's wonderful descriptive passages, which are attuned to the particular details of the photographs. When immersed in such descriptive analyses, Woods dazzles with provocative observations."—History of Photography

"An intensely informed and elegant work of seminal scholarship."—The Midwest Book Review

Typical architectural photography freezes buildings in an ideal moment and rarely captures what photographer Berenice Abbott called the medium's power to depict "how the past jostled the present." In Beyond the Architect's Eye, Mary N. Woods expands on this range of images through a rich analysis that commingles art, amateur, and documentary photography, genres usually not considered architectural but that often take the built environment as their subject.

Woods explores how photographers used their built environment to capture the disparate American landscapes prior to World War II, when urban and rural areas grew further apart in the face of skyscrapers, massive industrialization, and profound cultural shifts. Central to this study is the work of Alfred Stieglitz, Frances Benjamin Johnston, and Marion Post Wolcott, but Woods weaves a wider narrative that also includes Alice Austen, Gertrude Käsebier, Berenice Abbott, Margaret Bourke-White, Helen Levitt, Lisette Model, Louise Dahl-Wolfe, Morgan and Marvin Smith, Eudora Welty, Samuel Gottscho, Walker Evans, Max Waldman, and others.

In such disparate places as New York City, the rural South, and the burgeoning metropolis of Miami, these unconventional architectural photographers observed buildings as deeply connected to their context. Whereas Stieglitz captured New York as the quintessential modern urban landscape in the period, the South was its opposite, a land supposedly frozen in the past. Yet just as this myth of the Old South crystallized in photographs like Johnston's, a New South shaped by popular culture and modern industry arose. Miami embodied both of these visions. In Wolcott's work, agricultural fields where stoop labor persisted were juxtaposed with Art Deco hotels, a popular modernism of the machine age that remade Miami Beach into a miniaturized "Manhattan on the beach."

Beyond the Architect's Eye is a groundbreaking study that melds histories of American art, cities, and architecture with visual studies of landscape, photography, and cultural geography.

Mary N. Woods is Professor of the History of Architecture and Urbanism at Cornell University. She is the author of From Craft to Profession: The Practice of Architecture in Nineteenth-Century America.

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