A New Nation of Goods
The Material Culture of Early America
Winner of the 2011 Fred Kniffen Book Prize of the Pioneer America Society
"A magnificent effort. A New Nation of Goods effectively merges commerce and culture as twinned engines that promoted the democratization of knowledge and the commercialization of the countryside. The range of material things covered in this book is impressive, from paintings to prints, from clocks to chairs, from sideboards to daguerreotypes, to mention but a few."—Robert Blair St. George, University of Pennsylvania
"A New Nation of Goods has much to recommend it. Interdisciplinary, the work leverages a wealth of sources, from probate inventories and census records to patent applications and auction catalogs. It . . . asks us to reconsider many of our long-standing assumptions about the diffusion of culture in rural communities and the relative pace and influence of market activity."—Journal of the Early Republic
In the middle of the nineteenth century, middle-class Americans embraced a new culture of domestic consumption, one that centered on chairs and clocks as well as family portraits and books. How did that new world of goods, represented by Victorian parlors filled with overstuffed furniture and daguerreotype portraits, come into being? A New Nation of Goods highlights the significant role of provincial artisans in four crafts in the northeastern United States—chairmaking, clockmaking, portrait painting, and book publishing—to explain the shift from preindustrial society to an entirely new configuration of work, commodities, and culture. As a whole, the book proposes an innovative analysis of early nineteenth-century industrialization and the development of a middle-class consumer culture. It relies on many of the objects beloved by decorative arts scholars and collectors to evoke the vitality of village craft production and culture in the decades after the War of Independence.
A New Nation of Goods grounds its broad narrative of cultural change in case studies of artisans, consumers, and specific artifacts. Each chapter opens with an "object lesson" and weaves an object-based analysis together with the richness of individual lives. The path that such craftspeople and consumers took was not inevitable; on the contrary, as historian David Jaffee vividly demonstrates, it was strewn with alternative outcomes, such as decentralized production with specialized makers. The richly illustrated book offers a collective biography of the post-Revolutionary generation, gathering together the case studies of producers and consumers who embraced these changes, those who opposed them, or, most significantly, those who fashioned the myriad small changes that coalesced into a new Victorian cultural order that none of them had envisioned or entirely appreciated.
David Jaffee teaches at the Bard Graduate Center: Decorative Arts, Design History, Material Culture, where he is also Head of New Media Research.