"What makes this elegantly written book significant is the breadth of Schwarz's knowledge of early modern materials—not only the most often cited but a host of lesser-known texts as well—and, more important, the philosophical rigor with which she reads them."—Karen Newman, New York UniversityIn What You Will Kathryn Schwarz traces a curious pattern in sixteenth- and seventeenth-century representations of femininity: women pose a threat when they conform too willingly to social conventions. Exemplary texts describe chaste women who kill their rapists, constant wives who make marriage a debilitating obligation, and devoted mothers who destroy the fitness of children. These cautionary tales draw attention to the more ordinary, necessary choices that take prescribed roles as a mandate for purposeful acts. For early modern narratives, writes Schwarz, intentional compliance poses a complex problem: it sustains crucial tenets of order and continuity but unsettles the hierarchical premises from which those tenets derive. Feminine will appears as a volatile force within heterosociality, lending contingent security to a system that depends less on enforced obedience than on contract and consent.
"Conceptually innovative and far-reaching, written in prose so concise and elegant that it is virtually aphoristic, What You Will points to ways of both revitalizing feminist work within early modern studies and of renewing a largely lost dialogue between early modern studies and contemporary feminist theory. It offers hope, in other words, for a renaissance of feminism."—Journal for Early Modern Cultural Studies
"In Schwartz's pessimistic but powerful vision, the edifice built by Shakespearean gender scripts can only be intermittently swayed. . . . Recommended."—Choice
"Kathryn Schwarz's rigorous study of Renaissance texts belongs on the shelf of anyone interested in gender studies, early modern history or literature, or theories of subjectivity."—Southern Humanities Review
The book begins with an examination of early modern disciplines that treat will as an aspect of the individual psyche, of rhetoric, and of sexual and gendered identities. Drawing on these readings, Schwarz turns to Shakespearean works in which feminine characters articulate and manage the values that define them, revealing the vital force of conventional acts. Her analysis engages with recent research that has challenged the premise of feminine subordination, both by identifying alternative positions and by illuminating resistance within repressive structures. Schwarz builds on this awareness of disparate modes and sites of action in formulating the book's central questions: With what agency, and to what effect, do feminine subjects inhabit the conventions of femininity? In what sense are authenticity and masquerade inseparable aspects of social performance? How might coercive systems produce effective actors? What possibilities emerge from the paradox of prescribed choice? Her conclusions have implications not only for early modern scholarship but also for histories of gender and sexuality, queer studies, and theories of the relationship between subjectivity and ideological constraint.
Kathryn Schwarz is Associate Professor of English at Vanderbilt University and author of Tough Love: Amazon Encounters in the English Renaissance.