Death by Effigy
A Case from the Mexican Inquisition
Luis R. Corteguera
240 pages | 6 x 9 | 11 illus.
Cloth 2012 | ISBN 978-0-8122-4439-7 | $39.95s | £26.00 | Add to cart
Ebook 2012 | ISBN 978-0-8122-0705-7 | $39.95s | £26.00 | About | Add to cart
A volume in the Early Modern Americas series
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"Corteguera unearths a memorable and multifaceted story from deep inside the still little-known society of early colonial Mexico. Sophisticated in its treatment of a great array of topics, from early modern religion, morality, and sexuality, through an interweaving of inter-ethnic rivalry, Inquisitional symbology and procedure, to the pervasiveness of a culture of rumor and reputation, Death by Effigy is a significant contribution."—Kenneth Mills, University of Toronto
"Beautifully written and well organized, not only does Death by Effigy bring the period alive, it does so in an almost cinematographic manner. A wonderful teaching tool."—Tamar Herzog, Stanford University
On July 21, 1578, the Mexican town of Tecamachalco awoke to news of a scandal. A doll-like effigy hung from the door of the town's church. Its two-faced head had black chicken feathers instead of hair. Each mouth had a tongue sewn onto it, one with a forked end, the other with a gag tied around it. Signs and symbols adorned the effigy, including a sambenito, the garment that the Inquisition imposed on heretics. Below the effigy lay a pile of firewood. Taken together, the effigy, signs, and symbols conveyed a deadly message: the victim of the scandal was a Jew who should burn at the stake. Over the course of four years, inquisitors conducted nine trials and interrogated dozens of witnesses, whose testimonials revealed a vivid portrait of friendship, love, hatred, and the power of rumor in a Mexican colonial town.
A story of dishonor and revenge, Death by Effigy also reveals the power of the Inquisition's symbols, their susceptibility to theft and misuse, and the terrible consequences of doing so in the New World. Recently established and anxious to assert its authority, the Mexican Inquisition relentlessly pursued the perpetrators. Lying, forgery, defamation, rape, theft, and physical aggression did not concern the Inquisition as much as the misuse of the Holy Office's name, whose political mission required defending its symbols. Drawing on inquisitorial papers from the Mexican Inquisition's archive, Luis R. Corteguera weaves a rich narrative that leads readers into a world vastly different from our own, one in which symbols were as powerful as the sword.
Luis R. Corteguera is Associate Professor of History at the University of Kansas.