328 pages | 7 x 10 | 56 illus.
Cloth 2015 | ISBN 9780812246711 | Add to cart $55.00s | Outside N. America £42.00
Ebook 2015 | ISBN 9780812290509 | Add to cart $55.00s | £36.00 | About
A volume in the Haney Foundation Series
View table of contents and excerpt
"An elegant, erudite, and polemical book that most assuredly makes an important contribution to the literature on Renaissance individuality and male identity."—James R. Farr, Purdue UniversityIn recent decades, scholars have vigorously revised Jacob Burckhardt's notion that the free, untrammeled, and essentially modern Western individual emerged in Renaissance Italy. Douglas Biow does not deny the strong cultural and historical constraints that placed limits on identity formation in the early modern period. Still, as he contends in this witty, reflective, and generously illustrated book, the category of the individual was important and highly complex for a variety of men in this particular time and place, for both those who belonged to the elite and those who aspired to be part of it.
"Douglas Biow offers a spirited and refreshing account of the ways Renaissance men carved out space for individuality over against the norms of their professions and communities."—John Jeffries Martin, Duke University
Biow explores the individual in light of early modern Italy's new patronage systems, educational programs, and work opportunities in the context of an increased investment in professionalization, the changing status of artisans and artists, and shifting attitudes about the ideology of work, fashion, and etiquette. He turns his attention to figures familiar (Benvenuto Cellini, Baldassare Castiglione, Niccolò Machiavelli, Jacopo Tintoretto, Giorgio Vasari) and somewhat less so (the surgeon-physician Leonardo Fioravanti, the metallurgist Vannoccio Biringuccio). One could excel as an individual, he demonstrates, by possessing an indefinable nescio quid, by acquiring, theorizing, and putting into practice a distinct body of professional knowledge, or by displaying the exclusively male adornment of impressively designed facial hair. Focusing on these and other matters, he reveals how we significantly impoverish our understanding of the past if we dismiss the notion of the individual from our narratives of the Italian and the broader European Renaissance.
Douglas Biow is Superior Oil Company-Linward Shivers Centennial Professor of Medieval and Renaissance Studies at the University of Texas at Austin, as well as the Director of its Center for European Studies. He is the author of In Your Face: Professional Improprieties and the Art of Being Conspicuous in Sixteenth-Century Italy; Doctors, Ambassadors, Secretaries: Humanism and Professions in Renaissance Italy; and The Culture of Cleanliness in Renaissance Italy, among other books.