248 pages | 6 x 9 | 15 illus.
Cloth 2016 | ISBN 9780812248784 | $59.95s | Outside the Americas £46.00
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A volume in the series Contemporary Ethnography
View table of contents and excerpt
"Creative Urbanity is an artful rendering of ethnography's versatility and nuance, its multi-sited and multi-vocal possibilities. Guano uncovers dramatic transformations of urban space, class-culture, gender politics and aesthetics as they are refracted through the political-economic history of Genoa. Her subjects—newly fashioned tour-guides, entrepreneurs, and cultural brokers—embody resilience, creativity and precarious insecurity. An evocative narrative and sophisticated analysis, Creative Urbanity will be a must-read by all students of contemporary neoliberalism."—Carla Freeman, Emory UniversityIn the 1970s, the city of Genoa in northern Italy was suffering the economic decline and the despondency common to industrial centers of the Western world at that time. Deindustrialization made Genoa a bleak, dangerous, angry city, where the unemployment rate rose alongside increasing political violence and crime and led to a massive population loss as residents fled to find jobs and a safer life elsewhere. But by the 1990s a revitalization was under way. Many Genoese came to believe their city was poised for a renaissance as a cultural tourism destination and again began to appreciate the sensory, aesthetic, and cultural facets of Genoa, refining practices of a cultured urbanity that had long been missing. Some of those people—educated, middle class—seeking to escape intellectual unemployment, transformed urbanity into a source of income, becoming purveyors of symbolic goods and cultural services, as walking tour guides, street antiques dealers, artisans, festival organizers, small business owners, and more, thereby burnishing Genoa's image as a city of culture and contributing to its continued revival.
"Creative Urbanity is an extremely thoughtful and elegant work that connects to important dialogues of both anthropological analysis and urban theory in its identification of creative middle classes as agents in urban change. Moreover, it speaks eloquently to current literatures on European and Mediterranean cities but amplifies them in both scale and location, revealing an important and interesting case study that interrogates received wisdom."—Gary McDonogh, Bryn Mawr College
Emanuela Guano is Associate Professor of Anthropology at Georgia State University.