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344 pages | 6 x 9 | 28 illus.
Cloth Jun 2018 | ISBN 9780812250299 | Add to cart $79.95s | Outside N. America £66.00
Ebook Jun 2018 | ISBN 9780812295177 | Add to cart $79.95s | £52.00 | About
A volume in the Haney Foundation Series
View table of contents and excerpt
"Open Houses is a stimulating, provocative book convincingly underpinned by extensive research, sharp critical readings, and a confident familiarity with current theory. Barbara Leckie is an excellent critic of nineteenth-century fiction, but her conspicuous achievement is to bring fictional and nonfictional writings in dialogue with one another in a way that sheds light on both."—Kate Flint, University of Southern CaliforniaIn the 1830s and '40s, a new preoccupation with the housing of the poor emerged in British print and visual culture. In response to cholera outbreaks, political unrest, and government initiatives, commentators evinced a keen desire to document housing conditions and agitate for housing reform. Consistently and strikingly, these efforts focused on opening the domestic interiors of the poor to public view. In Open Houses, Barbara Leckie addresses the massive body of print materials dedicated to convincing the reader of the wretchedness, unworthiness, and antipoetic quality of the living conditions of the poor and, accordingly, the urgent need for architectural reform. Putting these exposés into dialogue with the Victorian novel and the architectural idea (the ways in which architecture and the built environment could be manipulated to produce certain effects), she illustrates the ways in which "looking into" the house animated new models for social critique and fictional form.
As housing conditions failed to improve despite the ubiquity of these documentary and fictional exposés, commentators became increasingly skeptical about the capacity of print to generate change. Focusing on Bleak House, Middlemarch, and The Princess Casamassima, Leckie argues that writers offered a persuasive counterargument for the novel's intervention in social debates. Open Houses returns the architectural idea to the central position it occupied in nineteenth-century England and reconfigures how we understand innovations in the genre of the novel, the agitation for social reform, and the contours of nineteenth-century modernity.
Barbara Leckie is an Associate Professor in English and the Institute for the Comparative Study of Literature, Art, and Culture at Carleton University and author of Culture and Adultery: The Novel, the Newspaper, and the Law, 1857-1914, also available from the University of Pennsylvania Press.