Reading the Early Modern Passions
Essays in the Cultural History of Emotion
Edited by Gail Kern Paster, Katherine Rowe, and Mary Floyd-Wilson
2004 | 392 pages | Cloth $75.00 | Paper $28.95
Cultural Studies | History
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Table of Contents
Introduction: Reading the Early Modern Passions
PART I. EARLY MODERN EMOTION SCRIPTS
1. Against the Rule of Reason: Praise of Passion from Petrarch to Luther to Shakespeare to Herbert — Richard Strier
2. "Commotion Strange": Passion in Paradise Lost — Michael Schoenfeldt
3. Poses and Passions: Mona Lisa's "Closely Folded" Hands — Zirka Z. Filipczak
4. Compassion in the Public Sphere of Milton and King Charles — John Staines
PART II. HISTORICAL PHENOMENOLOGY
5. Melancholy Cats, Lugged Bears, and Early Modern Cosmology: Reading Shakespeare's Psychological Materialism Across the Species Barrier — Gail Kern Paster
6. English Mettle — Mary Floyd-Wilson
7. Hearing Green — Bruce Smith
8. Humoral Knowledge and Liberal Cognition in Davenant's Macbeth — Katherine Rowe
9. Five Pictures of Pathos — Gary Tomlinson
PART III. DISCIPLINARY BOUNDARIES
10. The Passions and the Interests in Early Modern Europe: The Case of Guarini's Il Pastor fido — Victoria Kahn
11. Sadness in The Faerie Queene — Douglas Trevor
12. "Par Accident": The Public Work of Early Modern Theater — Jane Tylus
13. Strange Alteration: Physiology and Psychology from Galen to Rabelais — Timothy Hampton
Notes
List of Contributors
Index
Acknowledgments