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2008-2009 University of Pennsylvania Course Register

ENGLISH
(AS) {ENGL}
 

See English Department website for current descriptions: www.english.upenn.edu

Freshman Seminar  

See English Department website for current descriptions: www.english.upenn.edu

SM 016. (AFRC016, CINE016, GSOC016, LALS016, THAR076) Topics in Literature. (C) Freshman Seminar.

Freshman Seminars under the title "Topics in Literature" will afford entering students who are considering literary study as their major the opportunity to explore a particular and limited subject with a professor whose current work lies in that area.  Topics may range from the lyric poems of Shakespeare's period to the ethnic fiction of contemporary America.  Small class-size will insure all students the opportunity to participate in lively discussions. Students may expect frequent and extensive writing assignments, but these seminars are not writing courses; rather, they are intensive introductions to the serious study of literature.  One of them may be counted toward the English major and may be applied to a period, genre, or thematic requirement within the major.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

Intermediate-Level Courses 017-097  

See English Department website for current descriptions: www.english.upenn.edu

017. Age of Beowulf. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

This course introduces students to the great Old English epic Beowulf within the larger context of Anglo-Saxon culture.  We will read the poem in its entirety (after a crash course on Old English grammar); as we do so, we will use our experience of the poem to branch out into such topics as Anglo-Saxon poetics, mythologies and genealogies, manuscript culture, monastic life, archeology, legal codes, slavery, and gender relations.  Finally, we will use the poem to think through the place of Old English in modern American and British culture, as for example, the way we conceive of the English language, national identity, and our medieval-saturated popular culture (romances, films, videogames, etc.).

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

018. Old English. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

This course introduces students to the powerful and influential corpus of Old English literature.  We will read a wide variety of texts:short poems such as THE WONDERER, THE SEAFARER, THE WIFE'S LAMENT and the passionate religious poem THE DREAM OF THE ROOD; chronicles such as THE BATTLE OF MALDON AGAINST THE VIKINGS,THE OLD TESTAMENT, EXODUS and Bede's CONVERSION OF THE ENGLISH; and selections from the greatest of all English epics, BEOWULF.  Readings will be in Old English,and the first few weeks of the course will be devoted to mastering Old English prosody, vocabulary, and grammar (as well as a crash course on the early history of the English language).  During the last few weeks we may read modern criticism of Old English poetry, or we will consider the modern poetic reception of Old English literature and explore theories and problems of translation, reading translations of Old English poems by Yeats, Auden, Tolkein, and Heaney.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

019. History of the English Language. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

This course traces the history of the English language through English literaryhistory, from Anglo-Saxon England to 21st-century America.  We will consider the relationship between different language systems (e.g., syntax, morphology, orthography, grammar) and the relation of those systems to the liteature of different historial periods.  We will also consider the social and political events influencing language change, such as the introduction of Christianity, the Norman Conquest, the printing press, colonialism, educational policies, and mass media.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

020. Literature Before 1660. (C) Distribution Course in Arts & Letters. Class of 2009 & prior only.

This course will introduce students to key works of English literature written before 1660.  It will explore the major literary genres of this period, as well as the social and cultural contexts in which they were produced.  The course will examine how literature texts articulate changes in language and form, as well as in concepts of family, nation, and community during the medieval and early modern periods.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

021. (CLST321) Medieval Literature and Culture. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

This course introduces students to four hundred years of English literary culture, from approximately 1100 to 1500.  This period was marked by major transformations, not only with respect to government, law, religious practice, intellectural life, England's relation to the Continent (during the 100 Years War), the organization of society (especially after the Black Death), the circulation of literary texts, and the status of authors.  Topics may include medieval women writers, manuscript production, literatures of revoltd, courtly culture, Crusades, cross-Channel influences, and religious controversy.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

022. Romance. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

This course will focus on what is arguably the most extravagant, adventuresome, and fantastical of the literary genres: the Romance.  We will read a number of medieval and renaissance romance narratives, in verse and prose, beginning with the Arthurian romances (Malory's MORTE D'ARTHUR, SIR GAWAIN AND THE GREEN KNIGHT) and continuing with as many (and as much) of the great renaissance romances as time will allow: Sir Philip Sidney's ARCADIA, Edmund Spenser's THE FAERIE QUEEN, and Lady Mary Wroth's URANIA.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

023. History and Theory of Genre. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

This course will offer students the opportunity to understand what makes one genre or kind of literature different from another.  Where do their definitions originate?  How does genre affect how a literary work is written, how it is reproduced, and how it is interpreted?  To what degree have the various genres mutated through time?  Under what circumstances do new genres emerge?  The syllabus will consist of representative works of a number of literary generes (drama, romance, lyric, satire, epic) as well as some readings, both ancient and modern, in the theory of genre.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

025. The Age of Chaucer. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

In this class we come to speak as people spoke in England some six centuries ago: in medieval or 'Middle' English.  We do this by reading the poetry of Geoffrey Chaucer, a great poet who has influenced everyone from William Shakespeare to Sylvia Plath.  Since Middle English takes some getting used to, class assignments are not heavy: usually about 800 lines per class.  A typical class might begin by looking at a few of the easier passages in the Canterbury Tales, proceed to reading the greatest poem of love in the English language (Chaucer's TROILUS AND CRISEYDE), before moving on to other contemporary writers in medieval culture.  We will likely compare representations of medieval Christianty, Judaism, and Islam, as well as aspects of film adaptation by Italian filmmaker Pasolini (and perhaps by Chaucer scholar Terry Jones).  We will consider what it might have been like to live secure in an age of faith; yet to live insecure, as a dizzying new profusion of trades and occupations sprang up in unprecedented "divisions of labor." We will imagine being a medieval woman, and may visit and handle medieval manuscripts.  Above all, we will enjoy the poetry.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

026. Drama to 1660. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

Early drama in English had its roots as much in Christianity as in Classical antiquity.  What grew into the theater of Shakespeare began as networks of strolling players and church atuhorities in market towns sponsoring cycles of "miracle" and "mystery" plays.  This course will introduce students to major dramatic works of the medieval and early modern periods, including plays written for the public stage, closet dramas, masques, mayoral pageants and other kinds of performances.  The course will also pay attention to the development of different dramatic genres during these periods, as well as the social and cultural contexts in which they were produced.  Students thus will explore the history of drama in English through the renaissance to the closing of the theaters in 1641 and their eventual reopening in 1660.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

029. (CLST167, CLST321, COML167) Classical Antiquity and English Literature. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only. [Formerly ENGL 096].

This course will examine the relationship between early English literature and that of ancient Greece and Rome.  At times will will discuss how classical theories of genre and aesthetics were appropriate and reinvented in medieval, raniassance, and seventeenth-century texts.  What does it mean to call HAMLET and OEDIPUS THE KING tragedies, or THE FROGS and THE WAY OF THE WORLD comedies?  Should we consider the development of English drama and poetry as an extension of an imposing classcial traditon or as a sustained and resistant response to it?

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

031. Introduction to Renaissance Literature and Culture. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only. [Formerly ENGL 030].

This course will survey the cultural history of sixteenth and seventeenth century England.  Interdisciplinary in nature and drawing on the latest methodologies and insights of English studies, we will explore how aesthetics, politics, social traditions, impacted literature at this vital and turbulent time of English history.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

032. Renaissance Poetics. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

An introduction to the theory and practice of verse in England from approximately 1500 to 1700.  Primary concerned with poems by Skelton, Wyatt, Surrey, Gascoigne, Sidney, Shakespeare, Spenser, Jonson, Donne, Herbert, Herrick, Marvel, and Milton, this course places special emphasis on the influence of classical and continental poetry in Renaissance England, reading English texts comparatively with texts by Horace, Ovid, Virgil, Petrarch, and du Bellay.  The course also examines contemporary critical writing about poetics; debates about the fitness of English to sustain a literture; early efforts to invent a canon of English poets; the issue of translation; and the organization and status of pre-modern genres, like pastoral, epigram and elegy.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

033. (RELS015) The Bible As Literature. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only. [Formerly ENGL 073].

Successive generations have found the Bible to be a text which requires - even demands - extensive interpretation.  This course explores the Bible as literature, considering such matters as the artistic arrangement and stylistic qualities of individual episodes as well as the larger thematic patterns of both the Old and New Testaments and the Apocrypha.  A good part of the course is spent looking at the place of the Bible in cultural and literary history andthe influence of such biblical figures as Adam and Eve, David, and Susanna on writers of poetry, drama, and fiction in the English and American literary traditions.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

034. (CINE138, FNAR034, HIST034) Cultures of The Book. (M) Humanities & Social Science Sector. Class of 2010 & beyond. [Formerly ENGL 071].

The impact of various technologies (from writing to various forms of manuscript to print to electronics) on the way the written word gives shape to a culture.  Emphasis on western cultures from Plato to the present, but participation by students with interest or expertise in non-western cultures will be of great value to the group as a whole.  The course offers an ideal perspective from which students can consider meta-issues surrounding their own special interests in a wide variety of fields, as well as learn to think about the way in which traditional fields of study are linked by common inherited cultural practices and constructions.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

038. The Age of Milton. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

The seventeenth century was a time of revolution and upheaval, of excesses both puritanical and cavalier.  It saw the execution of one kind and the restoration of another,a nd surved the English Civil War and the great Fire and Great Plague of London.  This course explores the literature of this century through the works of John Milton Milton's major works (selected sonnets, COMUS, AREOPAGITICA, PARADISE LOST, PARADISE REGAINED, and SAMSON AGONISTES), and his contemporaries.  We will concentrate on a number of issues that governed writing in the period, particularly the tension between individual interiority and historial, social and political activity.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

040. British Poetry 1660 - 1914. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

This course provides students with a survey of British poetry and poetics from the Restoration to the Modern period, and usually will include writers ranging from Aphra Behn and Alexander Pople to Thomas Hardy.  The course may be offered in various fromsn, some coverning less,and some more historial ground. Most will provide a sampling of eighteenth-centure, Romantic, and Victorial poets.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

041. 18th-Century British Literature. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

An introduction to British literary and cultural history in the eighteenth century.  Typically, this course will contain materials from the later seventeenth to the early nineteenth centuries--from the Restoration and Glorious Revolution through the Englightenment, the American and French Revolutions, and the Napoloeonic Wars--though it need not cover the entire period.  We will read plays, poetry and prose in order to understand the aesthetic, intellectual, social and political issues germane to literary production and achievement in this period.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

042. 18th-Century Poetry. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

An introduction to poetic practices as they developed in England, and in English-speaking Britain and its colonies, between the late seventeenth and early nineteenth centuries.  Typically, this course will survey poetry on both sides of the Atlantic, though its geographic focus will vary with the instructor.  Students will focus on a variety of peotic forms including, through not restricted to: satire, the ode, panegyric, pastoral and topographical poetry, lyric poetry.  We will seek to understand poetry as crucial to, and constitutive of, eighteenth-century aesthetic and cultural practice.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

043. Early American Literature. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only. [Formerly ENGL 082].

An introduction to the English-language literatures of North America and the Caribbean from the late 16th century to the early 19th.  Works in various genres by Thomas Hariot, John Smith, William Bradfor, Mary Rowlandson, Anne Bradstreet, Jonathan Edwards, Sarah Knight, Franklin, Jefferson, Wheatley, Freneau, Bryant, Poe, and many others.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

045. 18th-Century Novel. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

This survey of the novel addresses key questions about the novel's "rise" in the eighteenth century on both sides of the Atlantic, as well as attending to the cultural conditions that attended this new literary from.  How did the concurrent "rise" of the middle classes and the emergence of an increasingly female reading public affect the form and preoccupations of early novels? What role did the institutions like literary reviews, libraries, and the church play in the novel's early reception?  While reading will vary from course to course, students should expect to read such authors as Austen, Behn, Brockden Brown, Burney, Defoe, Fielding, Richardson, Rowlandson, Rowson, Scott, and Smollett.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

046. Drama from 1660 - 1840. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

This course surveys drama from the Restoration through the Romantic period, and in so doing explores arguably the most tumultuous period of Brish and American Theater history.  These years saw the reopening of the theaters in London in 1660 after their having been closed through two decades of Civil War and Puritan rule.  They witness the introduction of actresses to the stage, the development of scenery and the modern drop-apron stage, the establishment of theatrical monopolies in 1660 and stringent censorship in 1737, and the gradual introduction, acceptance, and eventual celebration of the stage in America.  Perhaps most important, they oversaw some of the best comedies and farces in the English language, the introduction of pantomime and the two-show evening, sustained experimentation with music and spectacle on stage, and the transformation of tragedy into a star vehicle of actors and actresses like David Garrick, Sarah Siddons, John Philip Kemble, and Edmund Kean.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

048. Transatlantic Literature. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

A survey of the literatures of the English-speaking Atlantic world, from the earliest colonial ventures in North America to the cosmopolitan cultures of the 19th-century empire.  In prose, poetry, and drama by a diverse range of writers, the course will trace numerous transatlantic dialogues--on colonialism, aesthetics, revolution, slavery, imagination, nationalism, and religion--from the British Isles to the Americas to Western Africa.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

049. Enlightenment and Romanticism. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

A survey of literature from the Enlightenment to Romanticism, focusing on the interdisciplinary nature of literary and social change between 1745 and 1848. Students will read the aesthetic, philosophical, and literary writings from this century of American, European, and Caribbean revolutions.  While readings will vary from course to course, students should expect to read such authors asAnna Barbauld, William Blake, Edmund Burke, Olaudah Equinao, Henry Fielding, Benjamin Franklin, Philip Freneau, Margaret Fuller, David Hume, Thomas Jefferson, Hannah More, Thomas Paine, Walter Scott, Percy Shelley, Adam Smith, Horace Walpole, Phillis Wheatley, Helen Maria Williams, and Mary Wollstonecraft.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

050. The Romantic Period. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

This course offers an introduction to the literature of the Romantic period (ca.  1770-1830).  Some versions of this course will incorporate European romantic writers, while others will focus exclusively on Anglo-American romanticism, and survey authors such as Austen, Blake, Brockden Brown, Byron, Coleridge, Emerson, Irving, Keats, Radcliffe, Scott, Shelley, and Wordsworth.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

051. (GSOC051) 19th-Century British Literature. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

In 1815 in the wake of the battle of Waterloo, Great Britain controlled a staggering quarter of the world's landmass and half of its gross national product.  This course will begin with the Napoleonic Wars and this Regency aftermath to survey a century of British literature -- from Romanticism through the revolutions of 1848 and the Victorian and Edwardian periods to the beginning of the first World War.  Most versions of this course will read both novels and poetry, often focusing on the relation between the two and their function within nineteenth century culture.  Others may incorporate drama and non-fiction prose.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

052. 19th-Century Poetry. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only. [Formerly ENGL 051].

An introduction to British and American poetry and poetics from the early Romantics to the early Modernists._Authors may include Blake, Coleridge, Wordsworth, Hemans, Shelley, Keats, Byron, Bryant, Tennyson, Poe, Longfellow, the Brownings, Whitman, Dickinson, the Bront_s, Swinburne, the Rossettis, Hopkins, Arnold, Dunbar, Hardy, and Robinson.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

053. 19th-Century American Literature. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only. [Formerly ENGL 083].

A consideration of outstanding literary treatments of American culture from theearly Federalist period to the beginnings of the first World War.  We will traverse literary genres, reading autobiographies and travel accounts as well a fiction and poetry.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

055. (COML055, GSOC055) 19th-Century Novel. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

During the nineteenth century the novel became the dominant literary form of its day, supplanting poetry and drama on both sides of the Atlantic.  In this introduction to the novelists of the period, we will read the writers who secured the novel's cultural respectability and economic prominence.  Likely authors will include Austen, the Brontes, Collins, Dickens, Eliot, Hardy, Hawthorne, Melville, Poe, Thackeray, Scott, and Stowe.  The course will explore the themes, techniques, and styles of the nineteeth-century novel.  It will focus not only on the large structural and thematic patterns and problems within each novel but also on the act of reading as a historically specific cultural ritual in itself.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

056. Modern Drama. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

Selected writings for the stage from the mid-nineteenth century to the present, encompassing such radical movements as realism and naturalism, symbolism and surrealism, metatheatre, expressionism, epic theatre, the theatre of the absurd, and post-modernism.  Major playwrights include Ibsen, Strindberg, Chekhov, Shaw, Pirandello, Brecht, Beckett, Kushner, and Parks.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

057. (AFRC057, LALS057) Literature of the Americas to 1900. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only. [Formerly ENGL 080].

This course examines U.S. literature and culture in the context of the global history of the Americas.  Historical moments informing the course will range from the origins of the Caribbean slave-and-sugar trade at the beginning of the nineteenth century, to the Monroe Doctrine of 1823 and the U.S.  Mexico and Spanish-American wars.  Readings will include works by authors such as Frances Calder_n de la Barca, Frederick Douglass, Helen Hunt Jackson, Henry Wadsworth Longfellow, Jose Marti, Herman Melville, John Rollin Ridge, Mar_a Amparo Ruiz de Burton, and Felix Varela.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

058. Irish Literature. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only. [Formerly ENGL 063].

This course will provide an introduction to modern Irish literature, focusing on the tension between Ireland's violent history and its heroic mythology. This tension leaves its mark not only on the ravaged landscape, but also on the English language, which displays its "foreignness" most strongly in the hands of Irish writers.  Readings will span the genres of poetry, drama, fiction, and history, and will include works by Sommerville and Ross, Yeats, George Moore, Joyce, Synge, O'Casey, Beckett, Edna O'Brien, and Brian Friel.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

059. (CINE059, COML059) Modernisms and Modernities. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

This class explores the international emergence of modernism, typically from the middle of the 19th century to the middle of the 20th century.  We will examine the links between modernity, the avant-garde, and various national modernisms that emerged alongside them.  Resolutely transatlantic and open to French, Spanish, Italian, German, or Russian influences, this course assumes the very concept of Modernism to necessitate an international perspective focusing on the new in literature and the arts -- including film, the theatre, music, and the visual arts.  The philosophies of modernism will also be surveyed and concise introductions provided to important thinkers like Marx, Nietzsche, Sorel, Bergson, Freud, and Benjamin.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

060. Rise of the Novel. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

This course explores the history of the British novel and the diverse strategieof style, structure, characterization, and narrative techniques it has deployed since the late seventeenth century.  While works from the eighteenth and nineteenth centuries will form the core of the reading, some versions of this course will include twentieth-century works.  All will provide students with the opportunity to test the advantages and limitations of a variety of critical approaches to the novel as a genre.  Readings may include works by Behn, Swift, Defoe, Richardson, Fielding, Lennox, Smollett, Burney, Scott, Austen, the Brontes, Dickens, Eliot, Hardy, Conrad, Joyce, Lawrence, Woolf, Rhys, Greene, Naipaul, Carter, Rushdie, and Coetzee.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

061. (CINE160) 20th-Century British Literature. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

This course introduces major works in twentieth-century British literature. We will read across a range of fiction, poetry, plays, and essays, and will consider aesthetic movements such as modernism as well as historical contexts including the two World Wars, the decline of empire, and racial and sexual conflict.  Authors treated might include: Conrad, Yeats, Joyce, Eliot, Lawrence, Forster, Shaw, Woolf, Auden, Orwell, Beckett, Achebe, Rhys, Synge, Naipaul, Rushdie, Heaney, and Walcott.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

062. (COML062) 20th-Century Poetry. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

From abstraction to beat, from socialism to negritude, from expressionism to ecopoetry, from surrealism to visual poetry, from collage to digital poetry, the poetry of the twentieth century has been characterized by both the varieties of its forms and the range of its practitioners.  This course will offer a broad overview of many of the major trends and a few minor eddies in the immensely rich, wonderfully varied, ideologically and aesthetically charged field.  The course will cover many of the radical poetry movements and individual innovations, along with the more conventional and idiosyncratic work, and will provide examples of political, social, ethnic, and national poetries, both in the Americas and Europe, and beyond to the rest of the world.  While most of the poetry covered will be in English, works in translation, and indeed the art of translation, will be an essential component the course.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

063. (AFRC063) 20th-Century American Literature. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only. [Formerly ENGL 058].

This course surveys American literature across the twentieth-century, considering its formal innovations in the wake of modernism, the two World Wars, the Cold War and postmodernity.  Authors treated might include: James, Wharton, Eliot, Pound, Faulkner, Hemingway, Rhys, Baldwin, Ginsberg, Plath, Pynchon, Walcott, and Morrison.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

064. Modern America. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only. [Formerly ENGL 084].

This course is concerned with American literature and cultural life from the turn of the century until about 1950.  The course emphasizes the period between the two World Wars and emphasizes as well the intellectual and cultural milieu in which the writers found themselves.  Works by the following writers are usually included: James, Eliot, Frost, Fitzgerald, Faulkner, West, Stevens, DuBois, Williams, Wharton, Stein, West, Moore, and Hemingway.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

065. (AFST065, COML065) 20th-Century British Novel. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

This course traces the development of the novel across the twentieth-century. The course will consider the formal innovations of the modern novel (challenges to realism, stream of consciousness, fragmentation, etc.) in relation to major historical shifts in the period.  Authors treated might include: Conrad, Lawrence, Joyce, Forster, Woolf, Cather, Faulkner, Hemingway, Achebe, Greene, Rhys, Baldwin, Naipaul, Pynchon, Rushdie, and Morrison.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

066. (ASAM066) Literature and Law. (M) Humanities & Social Science Sector. Class of 2010 & beyond.

An introduction not only to representations of the law and legal processes in literary texts, but also to the theories of reading, representation, and interpretation that form the foundation of both legal and literary analysis.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

067. 20th-Century Literature of the Americas. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

This course situates major U.S. literary movements of the twentieth century within the political and cultural histories of the Americas.  With this more global context we will survey writing about revolution, imperialism, social protest, feminism and sexuality, and the influence of the "boom" writers and magical realism on U.S. culture.  Writers might include Willa Cather, Michelle Cliff, Coco Fusco, Langston Hughes, Jack Kerouac, Leslie Marmon Silko, Gabriel Garc_a Marquez, Katherine Anne Porter, and William Carlos Williams.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

069. Poetry and Poetics. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

What is poetry and what place does it have among literary forms?  What is its relation to culture, history, and our sense of speakers and audiences?  This course will focus on various problems in poetic practice and theory, ranging from ancient theories of poetry in Plato and Aristotle to contemporary problems in poetics.  In some semesters a particular school of poets may be thefocus; in others a historical issue of literary transmission, or a problem of poetic genres, such as lyric, narrative, and dramatic poetry, may be emphasized.  The course will provide a basic knowledge of scansion in English with some sense of the historical development of metrics.  This course is a good foundation for those who want to continue to study poetry in literary history and for creative writers concentrating on poetry.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

070. (GSOC060, LALS060) Latina/o Literature and Culture. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

A survey of cultural productions by Latinas/os (i.e. people of Latin American descent who have been raised in the U.S.) that usually will focus on the twentieth century, but might at times examine earlier periods instead.  The course will take a culturally and historically informed approach to a wide range of novels, poems, plays, and films, and will sometimes include visual art and music.  Writers and artists might include Am_rico Paredes, Piri Thomas, Cherr_e Moraga, Sandra Cisneros, Julia Alvarez, Junot D_az, Cristina Garc_a, El Teatro Campesino, John Leguizamo, Carmen Lomas Garza, the Hernandez Brothers, and Los Tigres del Norte.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

071. (AFRC071, AFST071) Literatures of Africa and the African Diaspora. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

This course will serve as an introduction to a particularly rich arena of literature in English.  It will also help students to begin to understand many other racial subtexts underlying the culture wars in America, where too often, in the full glare of cameras, an anguished voice informs the audience that 'as an African, I cannot expect justice in this America.'

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

072. (ASAM002) Asian American Literature. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

An overview of Asian American literature from its beginnings at the turn of the twentieth century to the present.  This course covers a wide range of Asian American novels, plays, and poems, situating them in the contexts of American history and minority communities and considering the variety of formal strategies these different texts take.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

073. 19th-Century Literatures in Dialogue. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

What dialogues have defined and constituted American and other literatures? This course examines critical intersections between different literatures of the 19th century, addressing questions of race, ethnicity, and culture. Previous versions of this course have included such titles as "Postbellum/Pre-Harlem" and "Victorian Literature and Ireland." Our readings will consider a range of literary interactions, and will take a self-consciously comparative and intertextual approach.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

074. (AFRC085) Contemporary American Literature. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only. [Formerly ENGL 085].

The readings for this course expose the student to a wide range of American fiction and poetry since World War II, giving considerable attention to recent work.  Works may include ALL THE KING'S MEN by Robert Penn Warren, HERZOG by Saul Bellow, ON THE ROAD by Jack Kerouac, V by Thomas Pynchon, OF LOVE AND DUST by Ernest J.Gaines, A FLAG FOR SUNRISE by Robert Stone, THE KILLING GROUD by Mary Lee Settle, and selected poems by Ginsberg, Plath, and Walcott. Readings vary from term to term.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

L/R 075. (HIST117, HSOC110, STSC110) Science and Literature. (M) Arts & Letters Sector. All Classes.

The separation of scientific and humanistic inquiry from one another is a fairly modern occurrence, not more than 100 or 200 years old.  In the early 19th century, for example, a student studying "natural philosophy" at a university would have studied what we now would recognize as biology, chemistry, ethics, mathematics, philosophy, and physics, and would also have been expected to be an accomplished classicist and well-versed in modern literature.  The tradition of the poet-scientist established with Erasmus Darwin (grandfather of Charles) and John Keats finds its modern heir in writersas diverse as Tom Lehrer and William Carlos Williams.  This course will survey both representations of science and the scientist in literature and the intersections between scientific and literary writing and inquiry.  Sometimes the course will have a broad thematic and historical focus; recent offerings of this kind include "Anatomies of Literature" and "Darwin's Legacy."

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

077. (COML077, SAST124) Literature and Empire. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

Since the sixteenth century English has been, among other things, an imperial language, and ideas about empire and imperialism have shaped not only many of English literature's central texts but also the development of English literary study as a discipline.  This course is an introduction to the way imperial contact and changing ideas about empire and decolonization have shaped literature in English from the sixteenth to the twentieth centuries. We will consider historical and cultural materials to offer contexts for literary production of texts from the sixteenth to the twentieth centuries. The course also will serve as a comprehensive introduction to the way literary and cultural representations of Europe have been influenced by changing ideas about empire and imperialism.  Different versions of the course will vary in the historical and cultural material they cover as they offer a context for literary production.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

079. (GRMN263, JWST179, JWST261) Jewish-American Literature. (M) Arts & Letters Sector. All Classes.

From vaudeville comedy to modernist poetry, from Tin Pan Alley to the postwar novel, from Yiddish theater to midrashic approaches to literary interpretation, Jewish American literature and thought have been central to, and on the cutting edge of, the fabric of American culture -- high, low, and, especially, in between.  This course will examine the many facets of Jewish American literature, both secular and observant, assimilationist and particularist -- from films such as The Jazz Singer (1927) to the fiction of Roth and Bellow to the poetry of Bob Dylan and Adrienne Rich.  While we will focus on significant works of fiction and poetry, we also will read within the wider world of philosophy, criticism, radio, film, theater, and television that surround them.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

080. (AFRC079) Literatures of Jazz. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

That modernism is steeped as much in the rituals of race as of innovation is most evident in the emergence of the music we have come to know as jazz, which results from collaborations and confrontations taking place both across and within the color line.  In this course we will look at jazz and the literaryrepresentations it engendered in order to understand modern American culture.  We will explore a dizzying variety of forms, including autobiography and album liner notes, biography, poetry, fiction, and cinema.  We'll examine how race, gender, and class influenced the development of jazz music, and then will use jazz music to develop critical approaches to literary form.  Students are not required to have a critical understanding of music.  Class will involve visits from musicians and critics, as well as field trips to some of Philadelphias most vibrant jazz venues.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

081. (AFRC081, CINE081) African-American Literature. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

An introduction to African-American literature, typically ranging across a wide specturm of moments, methodologies, and ideological postures, from Reconstruction and the Harlem Reanaissance to the Civil Rights Movement.  Most versions of this course will begin in the 19th century; some versions of the course will concentrate only on the modern period.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

082. Native-American Literature. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

From oral traditions to modern forms, this course surveys the diverse body of Native American literature through its many transformations and contexts, from examples of oral literature to film, poetry, fiction, essays, and drama. Possible authors include Leslie Marmon Silko, Sarah Winnemucca, Sherman Alexie, James Welch, N.  Scott Momaday, and Louise Erdrich.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

083. (AFRC083, JWST083) 20th-Century Literatures In Dialogue. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

What dialogues have defined and constituted American and other literatures? This course examines critical intersections between different literatures, addressing questions of race, ethnicity, and culture.  Previous versions of this course have included such titles as "African-American and Jewish-American Literature." Our readings will consider a range of literary interactions, and will take a self-consciously comparative and intertextual approach.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

084. (AFRC084) Theories of Race and Ethnicity. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

The idea of 'race' broadly defined as the signification of biological and sociocultural differences as an index of human superiority or inferiority has played a crucial role in the literary imagination and is fundamental to studying most literatures in English

        This course will examine representations of race in literary practices and in particular the centrality of such representations to the historical unfolding of communities and nations.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

086. American Drama. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only. [Formerly ENGL 076].

Selected writings for the American stage from the nineteenth century to the present, in relation to American history, culture, other forms of literary expression, and major movements in theatre aesthetics.  Major playwrights include O'Neill, Odets, Hellman, Miller, Williams, Albee, Shepherd, Mamet, Baraka, Wilson, Kushner, and Parks.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

087. (COML110, HIST246, THAR110) Theatre, History and Cultural I, Classical Athens to Elizabethan London. (C) Arts & Letters Sector. All Classes. Fulfills Arts & Letters Distribution Requirement.

This course will explore the forms of public performance, most specifically theatre, as they emerge from and give dramatic shape to the dynamic life of communal, civic and social bodies, from their antropological origins in ritual and religious ceremonies, to the rise of great urban centers, to the closing of the theaters in London in 1642.  This course will focus on development of theatre practice in both Western and non-Western cultures intersects with the history of cities, the rise of market economies, and the emerging forces of national identity.  In addition to examining the history of performance practices, theatre architecture, scenic conventions and acting methods, this course will investigate, where appropriate, social and political history, the arts, civic ceremonies and the dramaturgic structures of urban living.

088. American Poetry. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

Some versions of this course survey American poetry from the colonial period to the present, while others begin with Whitman and Dickinson and move directly into the 20th century and beyond.  Typically studetns read and discuss the poetry of Williams, Stein, Niedecker, H.D., Pound, Stevens, Fearing, Rakoksi, McKay, Cullen, Wilbur, Plath, Rich, Ginsberg, Kerouac, Waldman, Creeley, Ashberry, O'Hara, Corman, Bernstein, Howe, Perelman, Silliman, and Retallack.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

089. American Fiction. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

Some versions of this course survey the American novel from its beginnings to the present, focusing on the development of the form, while others concentrate on the development of American fiction in one or two periods.  Readings may include novels by writers such as Brown, Cooper, Hawthorne, Melville, Wharton, Morrison, Twain, James, Adams, Chopin, Howells, Norris, Whitman, Dreiser, Fitzgerald, Hemingway, Faulkner, Dos Passos, Ellison, and Nabokov.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

090. (AFRC090, COML090, GSOC090) Gender, Sexuality, and Literature. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.

This course will focus on questions of gender difference and of sexual desire in a range of literary works, paying special attention to works by women and treatments of same-sex desire.  More fundamentally, the course will introduce students to questions about the relation between identity and representation. We will attend in particular to intersections between gender, sexuality, race, class, and nation, and will choose from a rich vein of authors: Mary Wollstonecraft, Jane Austen, Mary Shelley, Lord Byron, the Brontes, Christina Rossetti, George Eliot, Oscar Wilde, Henry James, Gertrude Stein, Zora Neale Hurston, E.  M.  Forster, Virginia Woolf, Nella Larsen, Radclyffe Hall, Willa Cather, Elizabeth Bishop, Jean Rhys, James Baldwin, Sylvia Plath, Bessie Head, Audre Lorde, Adrienne Rich, Cherr_e Moraga, Toni Morrison, Michael Cunningham, Dorothy Allison, Jeanette Winterson, and Leslie Feinberg.

        See the English Department's website at www.english.upenn.edu for a description of the current offerings.

093. (COML093, GSOC093, LALS093) Introduction to Postcolonial Literature. (M) Distribution Course in Arts & Letters. Class of 2009 & prior only.