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The Transformation of Greek Amulets in Roman Imperial Times
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The Transformation of Greek Amulets in Roman Imperial Times

Christopher A. Faraone

512 pages | 7 x 10 | 23 color, 104 b/w illus.
Cloth 2018 | ISBN 9780812249354 | $89.95s | Outside the Americas £72.00
A volume in the series Empire and After
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"For decades, Christopher Faraone has been a leading scholar in ancient Mediterranean magic studies, with close and original readings of magical texts, important editions of primary sources, and major new theses. But this new work stands as a model for magic studies in general by negotiating a wide variety of interdisciplinary sources without sacrificing depth of analysis."—Journal of Roman Studies
The era of the Roman Empire was distinguished by an explosion of images and texts in a variety of media—metal, papyrus, mosaic, gemstone—all designed to protect, heal, or grant some abstract benefit to the persons who wore them on their bodies or placed them in their homes. In the past scholars have explained this proliferation of readily identifiable amulets by a sudden need for magic or by a precipitous rise in superstition or anxiety in this period, connected, perhaps, with the internal breakdown of Greek rationalism or the migration of superstitious peoples from the East.

Christopher A. Faraone argues, instead, that these amulets were not invented in this period as a result of an alteration in the Roman worldview or a tidal wave of "oriental" influence, but rather that they only become visible to us in the archaeological record as a result of a number of technical innovations and transformations: the increased epigraphic habit of the Imperial period, the miniaturization of traditional domestic amulets, like the triple-faced Hecate, on durable gems, or the utilization of newly crafted Egyptianizing iconography. In short, it is only when explicitly protective or curative texts, or strange new images, are added to traditional Greek amulets, that modern observers realize that these objects were thought to have the power to protect or heal all along. The real question addressed by the book, then, is not why we can identify so many amulets in the Roman Imperial period but, rather, why we have failed to identify them in artifacts of the preceding centuries.

Featuring more than 120 illustrations, The Transformation of Greek Amulets in Roman Imperial Times is not only a tremendous resource for those working in the fields of ancient magic and religion but also an essential reference for those interested in the religion, culture, and history of the ancient Mediterranean.

Christopher A. Faraone is the Frank Curtis Springer and Gertrude Melcher Springer Professor in the Humanities and Professor in the Department of Classics at the University of Chicago. He is author of Vanishing Acts: Deletio Morbi as Speech Act and Visual Design on Ancient Greek Amulets and The Stanzaic Architecture of Archaic Greek Elegy.

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