256 pages | 6 x 9
Cloth 2020 | ISBN 9780812251869 | $69.95s | Outside the Americas £56.00
Ebook editions are available from selected online vendors
A volume in the Middle Ages Series
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"Combining rigorous scholarship, a capacious interdisciplinary approach, and a rendering of his findings in a haunting poetical language, Jesús Velasco's book is the most insightful study of the Siete partidas written in a long time . . . Dead Voice is a special book, to be read with the same pleasure one feels when one savors veryfinewine. It is a shining example of how tackling a topic from an erudite and multidisciplinary approach can produce a great scholarly work that is also movingly beautiful."—SpeculumAn exploration of the thirteenth-century law code known as Siete Partidas
"Jesús Velasco's remarkable book on the Siete Partidas provides a number of unique and intriguing perspectives on the Alfonsine legal masterpiece. The author clearly states that he does not intend to write a legal history—the relationships of manuscripts, sources, specific translations etc.—but rather a cultural history, a rethinking of the Siete Partidas as a cultural product with political consequences."—Bulletin of Spanish Studies
"Bringing together a multitude of discourses with subtlety and deftness, Jesús R. Velasco undertakes a rare interpretation of the Siete Partidas and offers far-reaching and compelling conclusions."—Simone Pinet, Cornell University
"In his sophisticated literary treatment of the Siete Partidas, Jesús R. Velasco shifts the disciplinary frame away from legal history in a move that will be welcomed by scholars interested in medieval law and sovereignty."—Karl Shoemaker, University of Wisconsin, Madison
Conceived and promulgated by Alfonso X, King of Castile and León (r. 1252-1282), and created by a workshop of lawyers, legal scholars, and others, the set of books known as the Siete Partidas is both a work of legal theory and a legislative document designed to offer practical guidelines for the rendering of legal decisions and the management of good governance. Yet for all its practical reach, which extended over centuries and as far as the Spanish New World, it is an unusual text, argues Jesús R. Velasco, one that introduces canon and ecclesiastical law in the vernacular for explicitly secular purposes, that embraces intellectual disciplines and fictional techniques that normally lie outside legal science, and that cultivates rather than shuns perplexity.
In Dead Voice, Velasco analyzes the process of the Siete Partidas's codification and the ways in which different cultural, religious, and legal traditions that existed on the Iberian Peninsula during the Middle Ages were combined in its innovative construction. In particular, he pays special attention to the concept of "dead voice," the art of writing the law in the vernacular of its clients as well as in the language of legal professionals. He offers an integrated reading of the Siete Partidas, exploring such matters as the production, transmission, and control of the material text; the collaboration between sovereignty and jurisdiction to define the environment where law applies; a rare legislation of friendship; and the use of legislation to characterize the people as "the soul of the kingdom," endowed with the responsibility of judging the stability of the political space.
Presenting case studies beyond the Siete Partidas that demonstrate the incorporation of philosophical and fictional elements in the construction of law, Velasco reveals the legal processes that configured novel definitions of a subject and a people.
Jesús R. Velasco has taught at the University of California, Berkeley, Columbia University, and Yale University and is author of Order and Chivalry: Knighthood and Citizenship in Late Medieval Castile, also available from the University of Pennsylvania Press.