288 pages | 7 x 10 | 30 illus.
Cloth 2020 | ISBN 9780812251890 | $55.00s | Outside the Americas £44.00
Ebook editions are available from selected online vendors
A volume in the series Material Texts
View table of contents and excerpt
"Calhoun’s insightful and frequently surprising ecopoetic research considers how the making—and unmaking—of paper in the early modern period affects the language and metaphors authors employed to express their ideas. The Nature of the Page creates a vital nerve plexus that communicates with premodern literary studies, book history and ecocriticism. It fills a long dusty scholarly lacuna that extends D.F. McKenzie’s influential conception of a 'sociology of texts' into the nonhuman realm, what Calhoun calls an 'ecology of texts...' The Nature of the Page will change how readers see paper. No longer only black and white, its hybrid plant-animal-human ecologies will encourage book historians, environmental humanists, and premodern literary scholars to collaborate to better understand how the medium of historical record gives rise to the very ideas it records."—ISLE: Interdisciplinary Studies in Literature and EnvironmentAn innovative study of books and reading that focuses on papermaking in the Renaissance
"Clever and truly interesting, The Nature of the Page admirably draws our attention down to earth and to the plants and animals that live there. It will be welcomed by scholars in both ecocriticism and the material history of the book."—Ken Hiltner, University of California, Santa Barbara
"The Nature of the Page offers an innovative and refreshing approach to the study of books and reading by focusing on paper as a ubiquitous yet underappreciated material—revealing it to be a rich source of evidence for cultural history and literary interpretation. Readers will never look at paper quite the same way again."—Alan Galey, University of Toronto
In The Nature of the Page, Joshua Calhoun tells the story of handmade paper in Renaissance England and beyond. For most of the history of printing, paper was made primarily from recycled rags, so this is a story about using old clothes to tell new stories, about plants used to make clothes, and about plants that frustrated papermakers' best attempts to replace scarce natural resources with abundant ones. Because plants, like humans, are susceptible to the ravages of time, it is also a story of corruption and the hope that we can preserve the things we love from decay.
Combining environmental and bibliographical research with deft literary analysis, Calhoun reveals how much we have left to discover in familiar texts. He describes the transformation of plant material into a sheet of paper, details how ecological availability or scarcity influenced literary output in the sixteenth and seventeenth centuries, and examines the impact of the various colors and qualities of paper on early modern reading practices. Through a discussion of sizing—the mixture used to coat the surface of paper so that ink would not blot into its fibers—he reveals a surprising textual interaction between animals and readers. He shows how we might read an indistinct stain on the page of an early modern book to better understand the mixed media surfaces on which readers, writers, and printers recorded and revised history. Lastly, Calhoun considers how early modern writers imagined paper decay and how modern scholars grapple with biodeterioration today.
Exploring the poetic interplay between human ideas and the plant, animal, and mineral forms through which they are mediated, The Nature of the Page prompts readers to reconsider the role of the natural world in everything from old books to new smartphones.
Joshua Calhoun is Associate Professor of English and a faculty affiliate in the Nelson Institute for Environmental Studies at the University of Wisconsin-Madison.